Ramya Sriram’s Theyyam photograph was recognised in National Geographic India’s ‘Capture in Motion’ initiative.
When Ramya Sriram reached the temple grounds in north Kerala, she knew it would be intense. Theyyam nights always are.
By the time the performance began, the space was packed. Drums echoed against the walls. Flames rose and dipped. People leaned in close, trying to hold their view as performers moved through the crowd in towering headgear and layered costume. It was loud, warm, and alive in a way that is hard to describe unless you have stood there yourself.
Ramya had come to document the performance, as she had done before. She moved carefully, aware of the crowd pressing from behind and the heat from the fire in front. In moments like these, you do not get to control the frame. You wait. You watch. You respond.
Somewhere between the surge of sound and the shifting light, she pressed the shutter.
That photograph has now earned international recognition through National Geographic India’s ‘Capture in Motion’ campaign, an initiative launched to mark World Photography Day on 19 August 2025. The campaign invited photographers to share powerful images from their archives that captured the essence of movement — from wildlife in action and cultural celebrations to fleeting human moments shaped by energy and rhythm.
Selected among entries from across regions and genres, Ramya’s image stood out for the way it holds motion within intensity. What began in the heat and immediacy of a temple performance in north Kerala found resonance on a far wider stage.
The image captures more than spectacle. It holds concentration, effort, and the responsibility of carrying a living tradition forward. You can see the closeness of the crowd. You can sense how little space there is to move. The frame carries both intensity and restraint, and that balance is what makes it powerful.
Thinking outside the frame
Theyyam is performed across north Kerala between October and May. For the communities that host it, this is part of the cultural calendar, prepared for with discipline and care. Performers undergo fasting and ritual preparation before stepping into elaborate costumes that can weigh several kilograms. Once the performance begins, the distance between performer and audience disappears. Everyone present becomes part of the moment.
Photographing that kind of space asks for patience and trust. There is no pause for better light. You work within what unfolds.
What makes this story even richer is that the same tradition has also been documented on film. Filmmaker Zafar Mehdi travelled to north Kerala to create a 22-minute documentary titled Dance of Gods, exploring the preparation and people behind the performance. His film was later selected for screening at the 15th Dada Saheb Phalke Film Festival, extending the conversation around Theyyam to new audiences.
Read about that journey from the ritual ground to the festive stage here.
Photograph by Ramya Sriram